GAVIN MURPHY
  • Home
    • Biography
    • CV - Publications
    • Contact
  • Contemporary Art
    • 'A Very British Putsch': Brexit, Ireland and the Red Room
    • Fionna Murray, ''Blow Up' and Other Stories
    • Fantasy Islands: Pleasure and Bureaucracy in Artist Led Organizations
    • 'Shirkin' the Ghosts of the Meantime' (Fugitive Papers)
    • 'Hey, That's Interesting!': Richard Hamilton's 'Finn MacCool'
    • Global Enterprise: Gerard Byrne and Willie Doherty at the 2007 Venice Biennale
    • Aesthenia and the Critical: The Work of Ian Charlesworth
    • ‘‘Tonguetied Sons of Bastards’ Ghosts’ (Essay on James Coleman)
    • ‘Judge on Durée’: Shane Cullen’s 'Fragmens sur les Institutions Républicaines IV'
    • 'Time and Tide' (Article on Littoral Conference, Dublin 1999)
  • Photography
    • Roger Palmer 'Starry Plough'
    • Ruby Wallis 'Unfixed Landscape'
    • Mads Holm 'About Common Ground'
    • Andrea Grützner, Erbgericht (Source Photographic Review)
    • David Penny 'Fragments, Monoliths, Portals'
  • Reviews
  • Short Stories
    • ‘Oppenheimer’
    • ‘Ambition and the Earnest’
Alexander Rodchenko, Radio Listener, 1929





Gavin Murphy is a lecturer in Art History and Critical Theory at Galway-Mayo Institute of Technology.

This site contains a selection of his published writing on contemporary art and photographic practices.