GAVIN MURPHY
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  • Contemporary Art
    • 'A Very British Putsch': Brexit, Ireland and the Red Room
    • Fionna Murray, ''Blow Up' and Other Stories
    • Fantasy Islands: Pleasure and Bureaucracy in Artist Led Organizations
    • 'Shirkin' the Ghosts of the Meantime' (Fugitive Papers)
    • 'Hey, That's Interesting!': Richard Hamilton's 'Finn MacCool'
    • Global Enterprise: Gerard Byrne and Willie Doherty at the 2007 Venice Biennale
    • Aesthenia and the Critical: The Work of Ian Charlesworth
    • ‘‘Tonguetied Sons of Bastards’ Ghosts’ (Essay on James Coleman)
    • ‘Judge on Durée’: Shane Cullen’s 'Fragmens sur les Institutions Républicaines IV'
    • 'Time and Tide' (Article on Littoral Conference, Dublin 1999)
  • Photography
    • Roger Palmer 'Starry Plough'
    • Ruby Wallis 'Unfixed Landscape'
    • Mads Holm 'About Common Ground'
    • Andrea Grützner, Erbgericht (Source Photographic Review)
    • David Penny 'Fragments, Monoliths, Portals'
  • Reviews
  • Short Stories
    • ‘Oppenheimer’
    • ‘Ambition and the Earnest’

‘Judge on Durée’: Shane Cullen’s Fragmens sur les Institutions Républicaines IV’, Locus Solus: Site, Identity,
Technology in Contemporary Art, (eds. J. Stallabrass, Niru Ratnam, et.al.), London: Black Dog Publishing, 2000

I found critical reactions to Cullen's work somewhat limited when it came to understanding its production as an act informed by the traditions of art. The essay sought to address this and offer a more considered reaction to charged material.

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